Fragmented point of view; western genre conventions; post-war context;

Demonstrate how at least TWO of the filmmaker’s creative decisions in ONE film from the block (weeks 7-11) serve to establish the film’s point of view on the characters, story and subject. Screening: The Searchers (1956, John Ford, USA) Reading: Douglas Pye (1996) ‘Double Vision: Miscegenation and Point of View in The Searchers’ in Ian Cameron and Douglas Pye (eds) (1996) The Movie Book of the Western. London: Studio Vista, 229-235.

Topics: Fragmented point of view; western genre conventions; post-war context; interpreting themes; stylistic patterning.

#Fragmented #point #view #western #genre #conventions #postwar #context

Table of Contents

Calculate your order
Pages (275 words)
Standard price: $0.00

Latest Reviews

Impressed with the sample above? Wait there is more

Related Questions

Final Paper Proposal

his is Final Paper Proposal 750-1,000 words (this is roughly 3-4 pages, double spaced). Make sure you cite all sources and proofread your work. This

New questions

Don't Let Questions or Concerns Hold You Back - Make a Free Inquiry Now!